The African Body
Author: Ben Chelero
It just so happens that human development started by order of the cosmos, endowing the first people with superconscious effort. This exact skill of the first, so to say, superhumans (which according to different theories arrived, formed, or reincarnated from Atlanteans) is what started the evolution of the human race.
When Heaven was able to create a resonance with the surface of the Earth, life started to form. In places where vibrations were rougher, poorly organized creatures appeared; in other places—those of a higher frequency—appeared beings with higher organization levels.
Highly organized beings also included animals that represent horizontal objects (i.e., those dependent on the Earth), while human beings became vertically-oriented living organisms. Thus, people gained the ability to transition into other worlds. What’s especially interesting here is, of course, the reaction of cosmic energy to the energy of the Earth, from which vital energies spread like sparks of light.
It resembled a heavily stretched rubber band being released and then tied, able to form a new knot-shaped body geometry. Overall, this process was quite physical and explains the laws of evolution of both Earth and Heaven—where both humans and God are represented by certain resonance frequencies.
Based on all of the above, it’s only logical to ask where the highest quality resonance on earth took place. If we view our planet as a spiral, it is essentially flat since each turn is an independent entity with its own peculiarities. By the way, it was this kind of resonance that allowed Indian people, Chinese people, the Dogon people, and the Maya to form a unique idea of space without any of the tools we need today.
Ancient people did not actually create ideas about space; they created an idea of the Earth, or rather, the geometry of the Earth. The superconscious state of mind allowed them to refract the temporary properties of space and see everything much closer, instead of looking into the distance and squinting. Why need all this modern equipment if those who use it have neither the superconscious effort nor the ability to see?
At any rate, different parts of our body have different vibrational expressions of life, and those have different meanings for the planet. The Maya and the Anasazi were focused on moving to astral cities in the afterlife, basing everything in their lives around it. The ancient Chinese tried to transform their bodies, Hindus prepared their development through rebirth from one form into another, the Māori tried to connect with the elements of nature—they all did their own thing based on their frequency characteristics.
The process of experiencing human functions was acquired by the Egyptians, who 5,000 years ago created the perfect geometry of human existence and were perhaps the only civilization able to live in it for so long. They built a society based on all the laws the entire planet was living by—in one place—and divided it into 13 nomes. That created a unique situation: now there was an area on Earth able to reproduce a model of the entire planet. Obviously, the axial tilt of the Earth changed over time, and it became impossible to project this kind of thing in the area. This led to the decline of the great civilization.
That’s how the center of human development was determined. It was the place that connected the unity of the Earth and the cosmos through the human. This had an interesting development later on with the emergence of a new type of people: the Celts. We are referring to the Celts not as a nation but as examples of perfect human beings formed by the mix of the Aryan group, Africans, and Pygmies (courtesy of the Picts).
That, however, did not influence the processes taking place on the African continent where various prestate organizations were starting to emerge. It is inappropriate though to draw a division here as Africans obtained the status of the highest human beings and immediately became the arbiters of human history, relying on vibrations of all vital processes occurring both around and inside them and giving animals and birds not a zoological value as we do today but a spatial one.
As such, they perceived everything around them as a vital force. Of course, to understand this, you need to be in a certain state—which is already a function of consciousness. It is consciousness that turned Africans into the leaders of existence based on human characteristics.
Their very habitat enabled Africans to operate their consciousness at a level that cannot even be defined because for Africans themselves definition is not a form or level to which they can descend. At the very best, an African can transmit signals and ideas without immersing themselves in their primitive meaning, transmitting only vibration and rhythm containing knowledge, experience, and, above all, an opportunity to operate rhythm for those who have discovered the highest meaning of existence.
Imagine that: we have a pulse that has a certain rhythm, and we follow it. Nowadays, our consciousness is unable to understand its meaning or characteristics! Or, for instance, we have energy meridians. What kind of consciousness do you think is able to understand the current and vibration of a meridian? And there is no other way to discover it since it’s not an ordinary system of the body—it’s a flow of current. There is only a handful of people! African consciousness is originally configured for current, and here lies civilization’s main problem: some people’s brains operate at 12 V (e.g., Ukrainians), while others operate at 360 V (e.g., the Dogon).
And this is not about who is better or worse. It’s about the fact that such concepts do not even exist to an African, no matter how hard others try to teach them. They have a different mind and a different body, and they are governed by vibration, rhythm, and sound. This doesn’t mean that Africans as humans are superior to, let’s say, Latvians, but the degree of «freezing» is different. I’m referring to operating consciousness, which in the case of Africans is superhuman. This places them above the simple concept of a human and subsequently undermines their human rights.
African consciousness is like an induction coil, with energy constantly moving inside of it. They liken this state to molten metal, constantly flowing inside the brain. At least, that’s the definition found in Egyptian papyri.
For Africans, the state of the brain is the foundation of the body because if the vibration is happening as normal and is maintained by the brain, then the entire body adjusts to it. It’s no accident that the first musical instruments appeared here of all places. They were, first and foremost, objects for configuring oneself. That means an entire correcting system was introduced to maintain the brain’s vibrational level, involving special instruments such as the berimbau (as a configuration tool) and the drum (as an instrument of space construction, which Africans viewed as a whole).
The ability to experience a desert, the wind—any natural phenomenon—gave the life of Africans a special status. Moreover, any damage to the brain meant losing the connection with the cosmos, which equaled dying while living. This means that everything normal for the rest of the world today is a disaster for them. A vibration has to live inside a person at all times, even after they are gone. Therefore, a priori Africans are immortal: they carry the knowledge and laws of immortality comprising the highest knowledge that humanity is able to comprehend—the knowledge of rhythm.
Interestingly, the African way of thinking makes the cosmos accessible and understandable to them. The cosmos is not separated from them because not only do they come to understand it through vibrations, but they also perceive it. This, in fact, also made it possible to determine the frequency units of cosmos on Earth (many of which have a combined sound), but we are more interested in the fact that rhythm was idolized due to its cosmic nature, where there are 12 angles of energy deviation.
This condition of existence in three-dimensional space creates the supreme geometric shape: a sphere. The minimum angle of energy deviation on the surface is 30 degrees when the energy is not only refracting but also resonating. We, therefore, have 12 resonant groups and a direction. The Egyptians, for example, only expressed an upward direction, leaving us with 13 groups, while the Yoruba also had a downward direction (i.e., 14 groups).
The Egyptians, for instance, had 13 cosmic principles, while the Yoruba had 14 principles, or Orisha.
The 13 Earth Rhythms
- The rhythm of the cobra: the power of the perception of sunlight. The Goddess Wadjet.
- The rhythm of the dog: the symbol of place. The God Anubis.
- The rhythm of the cat: the symbol of change. The Goddess Bastet.
- The rhythm of the ram: the symbol of configuration. The Gods Amun and Khnum.
- The rhythm of the rhinoceros: direction.
- The rhythm of the bull: consistency and measure. The God Apis.
- The rhythm of the hippo: immersion. The Goddess Taweret.
- The rhythm of the lion, the panther, the cheetah: the representation of power. The Goddess Sekhmet.
- The rhythm of the cow. The Deity Bata.
- The rhythm of the ostrich, the antelope: the circulation of spirit. The Goddess Anuket.
- The rhythm of the ibis, the falcon, the kite: the highest rhythm of transformation. The Gods Montu, Ra, and Sokar
- The rhythm of the giraffe: an axis. The God Set.
To an African, each of these animals represents the overlap of a certain activity and a feeling expressed by the body.
What’s even more interesting is the overlap of different animals, which actually prompted the search for harmonious totems or the establishment of the science of rhythm. In that respect, it’s worth taking a look at the image of Matendu: an overlap of giraffes and elephants. An animal is not only a rhythm but also a certain interval with a specific connection to consciousness. And the bi-triangular perception of rhythm creates the art of rhythmic reproduction (playing an instrument), where the brain controlling the body is the foundation. The body was an angle—that is, a measure, and of course there had to be a measurement for managing the angle: a certain vibrational meaning. That created an ancient style of game: the V style (a V-shaped style).
Next come compositions that include circles, ovals, and cubic enclosures—that is, enclosing rhythm in a shape. The spiral as part of vibrational movement becomes subordinate to the technique, and therein lies the greatness of the understanding of rhythm, or the three antelope heads. Rhythm becomes a language, a sketch that expresses the volume and correlation between different parts of the space, and—equally fascinating—the body.
All of this was required to maintain the life force in a vessel—the head. The focus on the head is actually the essence and the main idea of understanding the African body. What’s most important here is the idea of symmetry and its orientation—that is, vertical position. Therefore, rhythm is the art of representing geometric shapes, or the knowledge of geometry.
Thus, true knowledge of the world, the space, and most importantly human abilities came from the “home” of anthropogenesis, the cradle of humanity. This area became active around 40,000 years ago. But you need to understand that we are not interested in what existed first: the important thing is where the quality came from. Today, we can rely on systems of knowledge created by particular civilizations on the continent. In that respect, West Africa, Egypt, and Ethiopia stand out from the rest. What interests us most is the culture of Ife.
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